The Dreamers’ Codex

Field notes from Ophia: souls, places, history, and augury.

These pages are a living record of the dreamers who walk between the Veils, the powers that hunt them, and the places where our world and Ophia lap against each other. This page continues to evolve, as the story it recounts is still being lived.

The Veil’s parting can’t be accomplished by a single soul. It moves like a living body: coil and surge, gather and strike.
Esperidi is the inward coil, the listening tension before a breach.
Ashangtu is the forward thrust, the emerging, irrepresible fire.
Wakeen—Jormada—roots that rhythm in the heartbeat of the earth.
This is Sarpienta’s way: not an airy idol removed from the ground of our being, but an embodiment of Creation’s pulse, moving through all of us.

Part One: The Wakeful Dreamers

The souls at the heart of the myth…

A woman - Esperidi - kneels on the ground with her hands pressed together in a prayer position, eyes closed, in a desert landscape at sunset. A scene from "Ophia's Sister-Soul"
A poetic inscription about the raven, Erawen, with a star symbol at the top and a crescent with an 'A' symbol at the bottom on a gold background.

Esperidi Mon-Sequana

Erawen, the Raven

Esperidi has learned to travel consciously within her dreams and via out-of-body excursions in waking. She conveys messages between worlds, helps the recently deceased navigate their transitions into new realities, and counsels seekers in their dreams—even when she’s unaware of doing so.

Esperidi walks the desert listening for messages carried on the wind. Some call her Erawen, the Raven. Raven’s beak captures lost light and carries it home.

She became a Sophryne, a Wakeful Dreamer with scant training. She was not sworn to any Order. By the time she came of age, no Order existed. But she had to trust her inner voices to survive. And she heard another voice, one from across the Veils, which she could not bear to ignore...

“I will find a way to reach you!”

“You always do, sister-soul”

Book cover featuring a woman with red hair against a purple background, with the title 'Colleen Addison' and the subtitle 'Shaini Name: SYD WYN (South Wind)'; also includes a quote about wind-swept night journeys.
A woman with dark, wavy hair looking upward, standing on a city street during sunset or dusk. She is wearing a dark blazer over a reddish shirt, with her hands raised softly in front of her. The background features blurred figures and lit storefronts, with a traffic light visible.

Colleen Addison 

Sydwyn, the South Wind

Colleen’s world is first seen drenched in hospital light, sleepless corridors, and the slow torment of constant admonitions: “Ophia is a delusion. It’s all in your head.” She writes to weave a way through a labyrinth her doctors and family don’t understand. She listens to her dreams because no one in her day-lit world will listen to her.

The South Wind moves quietly and lifts the hearts of those whom it touches. “Shai-win kisses the land,” they say in Ophia. When Sydwyn speaks, the Partition between worlds is blown aside.

Like all of us, Colleen carries more than one lifetime’s worth of memory.

Text describing Ashangtu Lanore titled 'Sajna, the Fire of Creation,' from the Codex of Dreamers, highlighting her as the element of fire, her epithet 'The Red Buffalo,' and her symbolic fire transformation and divine craft, with poetic invocation about fire as a teacher of love and creation.
Portrait of a young woman with long red hair - Ashangtu, a female character from "Ophia's Sister-Soul", wearing a beige top, against a dark background, with a small emblem in the bottom right corner.

Ashangtu Lanore 

Sajna, the Fire of Creation

“You ought to know by now that fire is seldom a gentle teacher.”
She carries a light of healing and creative destruction.

She is ignition, the incendiary catalyst. She opens herself to forces that burn through deception and illusion.

Poster featuring a sepia-toned portrait of a man with long hair and beard, alongside the text 'Wakeen (Jormada) The Serpent' and a quote about carrying the weight of the world.

“Life's mystery and promise elude us in the places where they’re most often sought: in chemical soup and cosmic debris, frozen strictures, and high-flying dogmas. 

That we should listen, rather, to how the universe speaks in the surge of a parent's pride in a child's first steps and words. A miraculous promise finding its feet.  That young one's cry of wonder at spring's first violet or a sparrow alighting on the sill. 

Love in the eye, recognizing the grace in another. Never repeated, never to be replaced. Love in a still hour, bridging lifetimes and worlds. Embodied once and for all in the cherished being whom the soul's eye descries in a forest of drifters.

And when life's unseen currents sweep people into a quiet sanctum, and their hearts alight with recognition, awakened by that specific glance and smile, that unique timbre in the voice of the beloved—

Who lifts the Veils from your eyes when doubt casts its glamour upon your star-spun grace—  

Peering past a thousand facades to find the face you hold in trust—

In night-sea journeys where only the heart's GPS is unerring—

Walking side by side to that sun-speckled pinnacle or deepest caves warmed by the lambent well—  

Wandering awestruck into a world still wet from the dream that birthed it— 

Hail, Sorsajna! Source of all! Your satyr hooves sink deep into verdant red earth, and your fingers curl skyward!

We’ll dance within your primrose circle as your meadow bowl in eternal springtime uplifts us like cupped hands, bearing its twin treasures: freedom and permission. 

Permission to be fully ourselves. To be this world's mirror. To be love's reflection in the eyes of another. 

As the whole human panorama of joy, uncertainty, struggle, and victory tumbles forth in the wake of our footsteps. As we surmount the mountain’s pinnacle, pledging our fidelity. 

‘To share my home, knowing you already carry it with you.’ 

‘To share my life because your presence was its missing piece.’ 

And the path winds to a place consecrated by trust, where we all join hands, proclaiming,  ‘Let it be this union, this peace and community, that announces to the world what the road stretched out before us already knows: that we will walk it together.’


That is what is real for me, good doctor. Realer than the realist realty that ever reeled.”

  • Colleen Addison

Wakeen Mon-Shetain

Jormada, Serpent Speaker

“Remember Sarpienta,” Jormada said. He made a thrusting, “give-and-take” gesture with his hands. It reminded Sajna of the insight she’d received while watching Bocuan lap the shore.

“There’s no escaping his rhythm,” he said. “If you adopt a body, you learn to dance his dance. Chewing. Swallowing. Digesting. Taking two steps forward and one step back at each stage of your journey. A leap of faith followed by a partial retreat to get your bearings. And let’s not forget sex.”

“You know I seldom can,” Sajna said, flicking her tongue between her teeth, imitating the serpent he described. 

“But for you and Erawen, this time around,” Jormada said, “that motion is also the secret of your joint power.” He repeated the peristaltic hand gesture. “She is the gathering coil. You are the surge, the spring.”

Part Two: ✴ The Unravelers

Three Faces of the Lost Light

Something ancient and precise has fallen off its axis. The sacred geometry has cracked. 

Awakening sheds light—light that sometimes draws attention from the forces that seek to fix the world in their own image. These are the dreamers who refuse to awaken…

These three shadow devotees comrades are currents in the same dark river, each embodying a wayward distortion, a misunderstanding of the light they seek.

It’s a mistake to call them evil. They are lost to the light. They are fragments of thwarted virtues—faith, intellect, and creation—sundered from the heart.

Painting of a man with a serious expression, wearing a traditional headdress adorned with beads, sitting in front of a glowing fire with a brick wall in the background. Jain-Toh, chief antagonist of "Ophia's Sister-Soul."
A regal man wearing a crown with a glowing crown design, dressed in a brown robe, standing in front of a stone wall with circular designs and a lit fire, in a dimly lit setting. Jain-Toh, chief antagonist of "Ophia's Sister-Soul."

🜂 Jain-Toh, the Sovereign Priest

“So now you see what odds beset me. Thousands of needs cry out to my ears: a host of wails from this fallen world. And I with only my two hands. 

“I can manifest only a portion of Toh’s great vision alone. Others must be willing to serve—not just obey, but serve. There must be those to whom I can entrust knowledge and wisdom that would be disastrous for the uninitiated.” 

A fantasy-style painting of a woman with long, wavy red hair and glowing green eyes, wearing a headpiece with a blue gem, surrounded by glowing laboratory glassware and a dragonfly, with mysterious symbols in the background. Karia.
A fantasy artwork depicting a woman with glowing green eyes and a jewel on her forehead, surrounded by colorful swirling smoke, with three glowing yellow birds flying above her and various potion bottles on a table. Karia, from "Ophia's Sister-Soul."

🜄 Karia, the Alchemist of Unmaking

Creation unmoored; curiosity crossing into sacrilege. Beauty corrupted by heartless brilliance; empathy eclipsed by fascination. Wonder gone astray; the beauty and peril of boundless creation. Light spills from her experiments like unbound life force. 

She lives at the dangerous intersection of brilliance and unraveling—the chaos of a psychic fracture that sometimes shatters the cask of priestly rigidity; creation breaking its own frame. She’s both visionary and unraveler — her genius glows like unstable light in a lantern that can’t contain it.

And the light in her own eyes feels alive, conspiratorial — as though her ideas have grown tongues that whisper back to her from the shadows. Those emerald eyes see too much, too often— the price of genius and forbidden wonder.✴

Portrait of a young man with dark hair, wearing a headband with a large blue gem, and traditional robes. He stands in a dimly lit room with ancient markings on the wall behind him, next to a table with a scroll. Konatep, High Priest of Ophia.
Dark painting of a bald man in medieval or fantasy attire, standing with hands clasped, with piles of paper and a large wheel nearby, illuminated by a spotlight. An Inook, antagonist in "Ophia's Sister-Soul"

🌒 Konatep, the High Priest

Devotion without wonder, living on the quiet, desperate hinge between control and collapse. If Jain-Toh is faith’s overreach, Konatep is thought’s imprisonment. Though bathed in light, his illumination is narrow and unyielding. Not freeing, but confining. His domain is rigid order, the architecture of fanaticism. His doctrine is precise, austere…flawless cold.

Recalling the Cordonne and its fate, Esperidi whispered: “The world is your mirror, Konatep. Every net eventually ensnares its caster.”

This Codex is being copied by candlelight. New entries will be added as the Veils thin.